Archive for March, 2010

Solo Series 2010: The Block

This item was filled under [ News, Seminars & Events ]

Artist: Matthew Higgins
On View:  until March 30, 2010
Viewing hours: Mon. – Fri. 10:00 -18:00, Sat 10:00-15:00
Sundays and late evenings by appointment or by chance.

The Block by Matthew Higgins, documents in chilling detail, weapons made by the inmates of Kingston Penitentiary.

Born of a fascination with prison life, this scanographic collection takes a look into the darkest corner of life behind bars. Through access to Kingston Pen’s evidence room, Higgins has documented the knives, pipe bombs, zip guns, and shivs made by convicts in all their alarming and fascinating detail. Many of these weapons have remarkable stories and as a group tell a tale of determination, desperation, violence and chilling creativity.

Red Wall Gallery at SPAO 168 Dalhousie St. Ottawa
For more info contact: 613.562.3824 info@spao.ca

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Product Launch: Experience the NX big thing from Sony!

This item was filled under [ News, Seminars & Events ]

1pm Session | Sony debuts the NXCAM
Presenter: Brian Young
A complete tutorial on the HXR-NX5U camera, including its functionality, workflow capabilities and position in the market.

Highlights include:

  • High quality recording in AVCHD format at maximum bit rate of 24Mbps
  • Full-raster 1920 x 1080
  • SD/HD-SDI and HDMI outputs
  • Built-in GPS and improved Steady Shot

Register for the 1pm Session>>


4pm Session
| Refresher on the EX family
Presenter: Brian Young
Go in-depth on the new PMW-EX1R and the PMW-EX-3, including: Available firmware upgrades, New Pro Media options.

Who should attend:

Professional videographers and video producers looking to experience the latest Sony technology and upgrade their high definition capture.

Register for the 4pm Session>>
Event attendees will be able to take advantage of Special Event Pricing on select Sony Products.

Vistek Ottawa
499 Bank Street, Ottawa Ontario
Tel: 888-428-4466
Maps Map Link »

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The search for the perfect DSLR…

This item was filled under [ Gear ]

With the release of cameras like the Nikon D3s and the Canon 5D Mark II, I was pretty sure that I would find a new camera body that would kill two birds with one stone.  I wanted a high quality full-frame camera that could shoot 7-8 fps and had really good light sensitivity for shooting in low light as well as the added bonus of shooting HD video!

I decided to start with a “sky is the limit” budget in order to see what all my options were without the constraints of a limited budget.  Armed with a few weeks worth of reviews from magazines and websites, I went to Vistek for some advice.  I spent an hour or 3 (haha) with Geoffry in the camara dept. and left with a wealth of practical information and some clarity… the clarity being that I couldn’t find a camera that would meet all my needs!

Nikon D3s

The Nikon D3s felt awesome in my hands and extremely well built.  Because I’m not in a studio environment with even ground, a predictable set-up, and a stationary tripod, I always consider how the camera “feels”.  What’s it going to be like holding it for hours on end from every angle?  The D3s has a continuous shooting speed of 9fps ideal for multiple successive shots when a climber is throwing for a hard move.  The bright LCD and live view shooting would be great for awkward positions where I can’t use the viewfinder.   Two allotted spaces for memory cards means I don’t have to change cards as often.

It fell short on the metering and only shot video in 720p.  If I was to ever use this camera as a secondary video camcorder, the quality just wouldn’t suffice.  Playing around with the functions of the camera, I discovered that it seemed to need two hands to operate some of the functions, something that I can’t really do hanging 50ft off the ground swinging from ropes.

Canon 5D Mark II

The Canon 5D Mark II was physically lighter, the controls were easier to use, more accurate in low light, and it shot video at 1080p.  This is exactly what I was looking!  On the downside, it is only 4.5fps but I could live with that.

A day or two later it occurred to me that if I was out in the desert on a shoot and had a Canon 5D Mark II with the full Redrock Systems matte box and follow focus there was no way in hell I could use that camera to shoot stills!  I just couldn’t risk dropping it while shooting from a cliff.  My ideas of having a camera that could easily switch from photo stills to video in an instant was slowly disintegrating.

Back to Vistek for more advice…

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Free Product Launch Event: the Canon 1D Mark IV

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Come and see what all the reviewers are talking about, as Canon product expert Neil Stephenson puts the all-new Canon 1D Mark IV through its paces.

“If you shoot events, weddings, sports or headshots for a living, the 1D Mark IV is worth your time and money …”
~ Michael Willems

Canon 1D Mark IV key features include:

  • Redesigned 45-point AF system with 39 cross-type points
  • New AI Servo II AF focus tracking system with 10 fps continuous shooting
  • 16.1 mp APS-H (1.3x crop) CMOS sensor, Dual DIGIC 4 Image processors
  • Spectacular ISO range of 100 –102,400 with advanced noise reduction
  • Full 1080p HD movie recording with selectable frame rates

WHEN: 6pm – Wed. March 31, 2010
WHERE: Vistek Toronto
496 Queen Street East, Toronto Ontario M5A 4G8
Tel: 416-365-1777
Maps Map Link »

There’s no fee to attend this event, but space IS limited and will be on a first-come, first-served basis. Register now, while you can!

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PART 3 – Algonquin College & Save the Children: Relief efforts in Haiti

This item was filled under [ News ]

~~~~~~~~~~

On Feb. 15, two students from Algonquin College’s Documentary Production program (Suma Suresh and Christian Roblin) along with four Civil Engineering Technology students & their teacher (Matt Philip, Shane Barteaux, Marek Szymborski, Brian Watson & John Barteaux) landed in Haiti to participate as volunteers and journalists alike.  Hosted by Save the Children, the engineering students were there to train Haitians in building Housall shelter systems, all the while being captured on film with gear rented from Vistek.

Save The Children will be using the completed documentary for fund raising and plan to air the documentary on regional and local broadcast outlets. There are also plans to enter the Save the Children documentary in student and other film festivals.

~~~~~~~~~~

Feb 16

I awoke this morning to a meeting taking place right in front of my tent.  Kicking myself for sleeping in until 8am, I rushed outside to see what was taking place. It appears that a giant pothole just around the corner from the entrance to the Save the Children compound is posing a security risk. Because the pot hole is on a very steep road and you must come to a dead stop to pass over it, it provides the perfect spot for car jacking to happen. Staff here at Save the Children have noticed gangs hanging around the area scooping out the pot hole, so the Engineering crew from Algonquin offer to fill it in.

Running like chickens with our heads cut off, Suma and I grab our camera, do a split second equipment check and take off out the gate following the engineering crew.


The exhaustion and blur of yesterdays’ arrival hide the huge contrast that hits you when you walk outside the gate of this compound. Instantly you are confronted with crumbled buildings and rubble.  While walking down the hill, Suma and I find a spot that offers a view of the entire city. Only here did the reality and tragedy really hit us.

Being pros at what they do, the engineering team (consisting of John, his son, Shane, and Matt) instantly identify materials at the side of the road that can be used to fix the pot hole. Calls on walkie-talkies are made, and a truck with some quick-dry concrete and shovels is confirmed to be on its way. While we wait, the team directs the local onlookers to start filling the available wheel barrels with stones to start the filling the base of the hole. As they get to work, Suma, Miles and I decide to walk back up the road to get some establishing shots.

While speaking with some of the local children, Miles get a walkie-talkie call from John down at the pot hole saying there is trouble brewing, and that things might come to blows. Peering down the hill we see a mob is forming… first 10, then 20, then 30. We arrive to a shouting match. Apparently, the local administrator of the area is unhappy with the stones he sees in the hole. He wants a permanent fix and is not happy about what he sees as a temporary solution that will wash away at the first rain. He is a rabble rouser and is starting to work up the crowd. Being one of the only people present who speaks French, I speak with him and try and explain that the work has just started and that we are waiting for concrete. Unfortunately, there is no pleasing this man and, as the crowd grows to about 40 angry locals, John calls it and we start walking back up the hill. Half way up we stop and wait for a coming truck to give us a ride. I take this time to really listen to what the locals are saying, and I learn something very important.

Haitians are a very vocal people, they shout often. But when you listen to what they are saying, they are a very reasonable people. Half the group was upset that we started a temporary fix, while the other half were saying that behaving the way they were was not going to make them any friends and that they needed all the help they could get.  After waiting for the truck for another 5 minutes, the angry portion of the crowd starts gravitating up the hill towards us. Just in the nick of time the truck arrives. Before I hop on, one of the townspeople tells me that it is the people at the bottom of the hill that need work and money, that they don’t get to go up the hill to stay in the compound.

He makes a good point.

Lessons learned about security and how important it is here: you can strike sparks anywhere in Port-au-Prince

When we get back into the compound, we are greeted by Peter who has finally made it here. He missed his cargo flight, so he had to fly into Santo Domingo D.R and join a convoy to Haiti at 2 am.

While Peter gets the briefings we all had the night before, Suma and the Houseall team head down to scope out the warehouse where we will be building/filming tomorrow.  I take the afternoon to figure my way around the various technical/firewall/internet issues we will have navigate to get our material out.

Internet here is spotty at best, firewalled at worst. But it’s surely a challenge that can be overcome.

As night falls, the whole team heads to bed early. Instead I stay up going through pictures and dealing with technical issues.

Tomorrow will be one long day.

… to be continued »»

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The Canon Thermal Travel Mug

This item was filled under [ Gear, News ]

Bad news – these have SOLD OUT. Yep.  You’ve heard right. The mug everyone is talking about – you can buy it at Vistek.  They’re in limited quantities and will ship April 16. Grab yours now while supplies last… because they won’t be around forever.

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Great travel photography: The adventure begins.

This item was filled under [ Gear, Tips & Tricks ]

by Cam Levack

A rewarding travel photo shoot starts with what you pack. You’ll have lots of decisions: Zoom lens or fast primes? Underwater compact or a housing for your DSLR? 110 or 220V for your battery charger? Whether you’re a pro shooting stock, or an enthusiast capturing memories, effective pre-planning is the best way to ensure success.

Telephoto Lenses lend themselves well when shooting close-ups in the Rainforest!Check it out.
A little research on your destination will help you decide what kind of images you’re going for, and what equipment you’ll need to capture it. In some cases it’s obvious. Photographing lions in east Africa or whales off Cabo San Lucas requires a long telephoto zoom or prime. For sweeping landscapes in the Rockies, bring a wide angle, and for the dazzle of Times Square at night, include a fast lens. For others, a “walk-around” zoom, such as the 18-200, will do the job. And if you don’t own the perfect lens for the situation, consider renting one.

Steady as she goes.
Today’s image-stabilized lenses (in some cases, camera bodies) make it easier to get sharp, handheld images even in low light. But there’s nothing like a steady tripod, like Benro‘s new Travel Angel. It easily fits in your camera bag or carry-on luggage, yet is sturdy enough for your DSLR. Joby’s GorillaPod secures your camera to trees, deck chairs or just about anything. Video users can work with a Glidecam for steady footage – imagine a video walking tour of a Costa Rican rain forest.Tripods allow you to capture amazing night shots.

Make a splash.
Moisture can be the enemy of cameras, so prepare. Specially-made underwater compacts, such as the Canon D10, Olympus Tough 8000 and Pentax Optio W80 are great for snorkeling, as well as beachside or vacation snaps anywhere. More serious users may prefer a waterproof housing by DiCAPac or Ewa Marine. There are specific models for your DSLR, video camcorder or point and shoot. To protect against tropical humidity and showers, consider a rain cover by Kata or Matin.

Get carried away.
If you’re trekking through terrain, a well-designed photo backpack like Tenba‘s Shootout will help you organize, protect and carry your gear comfortably. Tenba’s Messenger Bag is excellent for city vacations or more general use. E-Image has a number of bags suitable for a camcorders and video gear. If you like to carry your DSLR on your hip and ready for action, check out the BlackRapid R-Strap. The Matin Shooting Vest allows you to “wear” a variety of lenses, flash and other equipment.

You can see clearly now.
A UV Filter from will cut through haze and protect your DSLR lenses, while a polarizing filter will enhance the colour in the sky, remove reflections and improve contrast. B+W and Hoya offer a variety of filters to fit all lens diameter sizes.

Don’t forget the basics.
Depending on your destination, you may be able to purchase memory cards, batteries, lens cleaning cloths and other small items. But why chance it? Better to stock up before you leave with memory, such as affordable Acumem, and rechargeable batteries by Lenmar. Some chargers even let you switch to 220 volts.

Don’t leave home without it.
A trip to an exotic locale can be a unique photo or video opportunity. A little planning will go a long way in making sure you have everything you need to capture images you’re sure to treasure.

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CONTACT 2010 Portfolio Reviews

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In partnership with The Gladstone Hotel, portfolio reviews will once again be a part of CONTACT in a 2-day event Sunday, May 2 & Monday, May 3.

Award winning image from CONTACT 2008 Portfolio Reviews Roger Lemoyne is currently in Haiti on assignment for Unicef.

Curators, art dealers, directors, publishers and photo editors are assembled for an extraordinary two days during CONTACT to provide portfolio reviews for established and emerging artists and photographers in commercial or fine art photography. Some of the most highly respected international professionals in the field will provide one-on-one critiques of photo-based works. The event is a platform for those with developed projects that are seeking opportunities for publishing and exhibiting nationally or internationally, as well as guidance on conceptual approaches or career development.

Portfolio Reviews Exhibition Award

Reviewers will award two selected participants with a solo exhibition presented by the CONTACT Gallery and Toronto Image Works Gallery, both located at the historic 80 Spadina Ave. building.  Vistek is pleased to provide each winner of the with a gift certificate valued at $1,000.

Registration is now open (chose from a growing list of prestigious reviewers here; three reviews for $200; six reviews for $350) and you have until Thursday April 15 to take advantage of this opportunity.

Get full registration info here.

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Magnum Workshop Toronto at Contact 2010

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The Magnum Photo Workshop at Contact 2010 is now accepting applications:

MAGNUM PHOTOS WORKSHOP
Participate in an intimate five day shooting workshop with your choice of one of five Magnum Photographers: Stuart Franklin, Constantine Manos, Alec Soth, Chris Steele-Perkins and Alex Webb with Rebecca Norris Webb. In addition to the dynamic within each workshop, focusing on story formation, visual literacy, and personal vision, there will also be ample informal time for cross pollination of viewpoints and discussion with all participants. Tuition: $1300 USD

MAGNUM IN MOTION WORKSHOP
Designed for intermediate multimedia producers, the Magnum in Motion workshop aims at enhancing photographers’ multimedia storytelling skills. The goal of the workshop is for each participant to produce a personal and professional multimedia essay and/or to refine an existing essay. In addition to creating a unique story under the guidance of Magnum photographer Chien-Chi Chang and MIM’s Producer Adrian Kelterborn, participants will gain insight into the history and modus operandi of Magnum in Motion. Tuition: $1600 USD.

Monday May 3 – Friday May 7, 2010
Ryerson University
Application Deadline: March 30, 2010

Get all the details here.

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PART 2 – Algonquin College & Save the Children: Relief efforts in Haiti

This item was filled under [ News ]

~~~~~~~~~~

On Feb. 15, two students from Algonquin College’s Documentary Production program (Suma Suresh and Christian Roblin) along with four Civil Engineering Technology students & their teacher (Matt Philip, Shane Barteaux, Marek Szymborski, Brian Watson & John Barteaux) landed in Haiti to participate as volunteers and journalists alike.  Hosted by Save the Children, the engineering students were there to train Haitians in building Housall shelter systems, all the while being captured on film with gear rented from Vistek.

Save The Children will be using the completed documentary for fund raising and plan to air the documentary on regional and local broadcast outlets. There are also plans to enter the Save the Children documentary in student and other film festivals.

~~~~~~~~~~

Feb 15:  Christian.
From Santa Domingo to Port au Prince

Got to bed at 2:30 am last “night”, up at 5 am this morning. First thing that comes to mind is that mountain of gear needing to be wrestled yet again. Groaning, I fall out of bed and take what I am sure will be my last shower for a while.

Great, out of that mountain of gear, I realize I have forgotten 3 things. Sun screen, shampoo, and a brush. I am a special kind of guy. Crazy glue, but no shampoo or sun screen.

No running hot water in this ritzy Holiday Inn either.

With hair like a mountain man, I wrangle up the gear (with the aid of the rest of the crew, of course), and we all saddle up in the lobby. Two shiney, brand-new looking Nissan micro-buses pull up. These things stand out like a piece of hay in a massive stack of needles when compared to all the other vehicles on the road. Inside van two we find 3 new companions. One is from the D.R and is travelling to Haiti with Save the Children on a medical relief mandate. Amber (the only name I can remember, as I am horrible with names) tells us she has previously lived in Haiti for 5 years, while the third man tells us he was in Haiti for the first two weeks after the quake hit.  I ask them how it was.

The both glance at each other for a moment without saying a word, then turn to me and say in tandem “intense”.

Just what I like to hear :)

As the rest of the occupants fade off to sleep, we take off into the rising sun towards Haiti.

I can’t sleep. While exhausted, hundreds of possible scenarios keep running through my head. Our driver speaks English, but not enough to hold a conversation. As the sun rises on the beautiful country side I start going over the camera gear. As soon as I pull out the HD camera Vistek was so good to donate, our drivers eyes bulge. All he says is “wow”.

Wow indeed. I haven’t had a change to check the gear to this point. This puppy is SLICK.  All the documentary students would fall in love on sight with this thing.  While finding all the manual “nuts and bolts” of this camera, it hits me that the higher level of innovation as actually gone into the automatic settings.

For example, both the sound inputs have automatic gain controls that actually work. If your sound source is far away, the gain comes up to compensate. Likewise, if your source is too loud, it brings it down, keeping the sound a constant even keel. It does this for both inputs INDEPENDENTLY, so the mic on the camera and the shotgun mic Suma moves around with are balanced. As a filmmaker (and being obsessed with sound) I can think of many situations where the use of this feature would be inappropriate. However, going into Haiti with none of the sound mixers I argued for, I can think of many MANY situations where this will be a life saver.

Vistek obviously put some thought into this venture. Good on Vistek – I’m going to treat their camera like I would Jimmy Page’s very own 1958 Les Paul guitar.

The country side is beautiful in the D.R, so I take the time to shoot 30 minutes of travel footage to contrast with what we see in Haiti. Around 12 pm we stop at a little gas station for gas.  SMOKE BREAK. Our driver holds out a cup and says, “coffee?” I say sure but have no idea what is coming to me. The little plastic cup of coffee he gives me almost makes me fall over. It is without question, THE BEST COFFEE I have ever EVER tasted.  I cannot express this enough

(It was like god had kissed me with a mouthful of scotch)

Some local kids came out of the wood work and started washing the vans, big smiles on their face. With a disapproving stare from our driver, I toss them some left over pesos from the night before.  Back in the van for the last stretch to Haiti.

1:00 pm

All of a sudden there is a massive traffic jam ahead of us. Our driver jabs his finger forward and says “Haiti”.

Streams and streams of Haitians zig -zag through the traffic jam. Hour driver hops out and urges us to come with him. Everyone (including myself) decline to exit the vehicle.

Then something happened.

A random Haitian man coming through traffic carrying a bag on his head stopped, and locked eyes with me through the windshield for a brief moment that felt like an hour. At was at this moment that I realized these people are not crazy armed thugs; they aren’t ready to tear me limb from limb at a moments notice.  These people are hungry, devastated. These people have been kicked in the teeth so many times before, and this was the hair the broke the camels back.

With that, I hop out of the van with the camera to see what I could see (and glad to see that some of my companions had come to some version of the same idea)

Only the pictures and video can describe it.

After making it through the border, it was like night and day as far as the country side is concerned. Where the D.R is beautiful and green, Haiti is dry, devoid of green and trees

The best way I can describe it in one word is: Sudbury.

Sitting at the front of the van I realize suddenly I haven’t heard a peep from our engineering colleagues at the back of the van. I turn back and ask them what they think. Matt says simply “intense.”

Smooth sailing (if you want to call driving in Haiti smooth sailing) for an hour to the very edges of Port-Au-Prince. All of a sudden buildings and rubble seem to be occurring more and more as we drive. I turn and ask our driver “Port-au-Prince?” He simply nods his head.

We’re here.

From this point on, it is difficult for me to put into words what I witnessed for two reasons.

Reason 1:  I let the camera roll the entire drive to our compound through PaP (Port-au-Prince from now on). While I got out of the van at the border, I wouldn’t even consider rolling the window down here. The entire drive was all pull zooms, angles, avoiding reflection in windows, trading video camera off to Suma (the other member of our doc. crew. More on her later, bless her heart)  for the still camera, and then back to cover from all possible vantage points. We knew we would only drive into and across PaP once, and we had to maximize the shooting opportunities to the fullest.

Reason 2: What we saw

3 pm – we roll into the Save the Children compound like zombies. As the large gate closes behind us I am dazed from what I just experienced. Then it hits me

MASSIVE MOUNTAIN OF GEAR TO WRESTLE, AGAIN!

We get the gear off, pile it up in front of the lobby, descend to the patio at the back of the compound, and finally sit down. After having 3 hours of sleep in the past 48, we are bagged. So, naturally, this is the perfect time for 3 hours of lecture/orientation from the various staff on everything from security to humanitarian programs to likely stresses.

Of course all of this is very necessary and important, but it is hard to focus and concentrate when I just want to fall off the chair. And, of course, there is still that MOUNTAIN OF GEAR to deal with, tents to set up, etc. The staff here at the Save the Children compound are all very understanding of this, and try and whisk us through the necessary info as fast as they can without being irresponsible.

These people take well-being very, very seriously.

Passports scanned, passes printed, security briefing over, we finally tackle the gear, find spots in “tent city” and get at the work of setting up.

Bathing is simple: buckets of cold water and a mug. However, this is a PURE JOY

(I have forgotten to mention something important up to this point. It is HOT. Really, really, REALLY HOT. Like… HOT. And HUMID. Really, really, REALLY HUMID. LIKE… REALLY HOT and HUMID. I spent a year in Australia, which was very hot. But it was dry hot. This… this is a whole other monster. Breathing causes you to sweat here.)

After taking an hour to set up a tent that usually takes me 10 minutes to deal with, we all zombie walk down to the admin. building for dinner. After hearing Miles’s description of the food, I am not optimistic. But, to my happy surprise, the food is fantastic.

The Save the Children compound is high up in the hills of PaP, and the back patio where we eat looks down on the whole city. As I eat, I can’t help but think of what all the Haitians down the hill are eating.

After dinner everyone packs off to bed like zombies… except me. I can’t sleep yet. I need to feel the earth between my toes, smell the air, stop, be still, and just listen and feel.

Having made my initial communion with the most basic (and to my mind, important) elements of this place, I make my way back into the admin. building to crack out my netbook and look over the pics we’ve shot. There are over 700 of them. Late in the evening I make my way to my tent anxious for the next day to begin.

to be continued »»

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