Posts Tagged ‘documentary’

Now On Stands: POV Magazine’s Fall Issue!

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Point of View’s Fall issue (#83 for those of you keeping track!) is now on stands – just in time for TIFF! In fact, you can get your copy in Toronto this fall at TIFF, Planet in Focus Film Festival, imagineNATIVE Film + Media Arts Festival and the Reel Asian Film Festival.

But for those of you not lucky enough to attend any of these fantastic events, don’t fret: you ARE lucky to be one of our readers! And that means you can head on over to Point of View’s digital archive and enter POVadvertiser to access not just this issue, but all issues published from 2005 to 2011.

What’s in this issue:

Illuminating Issues

  • Surviving Progress by Adam Nayman
    Ronald Wright’s Massey lecture becomes a thoughtful documentary essay. Nayman looks at a film, that offers a devastating look at what industrial “progress” has meant to the world in recent times.
  • The Archives in Contemporary Documentaries by Gabriel M. Paletz
    Using curator/archivist Rick Prelinger’s programme at the prestigious Full Frame Festival, Paletz surveys changing approaches to the use of historical footage, suggesting strategies to realize its contemporary creative potential—in docs, fiction and experimental films.
  • Upward Facing Dog: Yoga and Me/Yoga On Screen by Maurie Alioff
    A personal look at yoga films by a critic who is also a practitioner.

Truth Telling

  • Position Among the Cameras by James Buffin
    Comparing his new, quite personal doc to the award-winning non-fiction feature Position Among the Stars, Buffin looks at the ethics of constructing a film—and shooting in Indonesia.
  • Lying the Truth: on the reality of making docs by Sally Blake
    The producer of the highly regarded surveillance doc Peep Culture as well as reality-TV shows, Blake uncovers disturbing parallels between the two genres. Bottom line: people are happy to exploit themselves and are fascinated by each other’s foibles and failings.

Docs Abroad

  • Bridging the Gap: Docs in China by Peter Wintonick
    A survey of China’s documentary scene by Canada’s “doc ambassador.” From festivals to co-productions, China is opening up to the West—and Wintonick spells out the results thus far.
  • New Nordic Documentary Cinema by Ezra Winton
    Writer, Cinema Politica programmer and teacher Winton surveys the trends toward the personal and political in docs from Sweden, Denmark, Iceland, Finland and Norway.

There’s No Business…

  • One is the Loneliest Number by Sarah Keenlyside
    Is it possible to make one-off “POV” docs anymore? Writer-director Keenlyside asks experts ranging from her old film prof to broadcasters and other filmmakers whether she’s chosen the wrong profession.
  • Rays of Hope by Merrily Weisbord
    A visit to La Rochelle’s Sunny Side of the Doc revealed that co-productions are still taking place—but without the ease and frequency of the past. Weisbord, an industry vet, investigates a changing terrain.
  • Pointed View: Don’t Look Front by Zoe Garnett
    Singer-actor-writer Garnett’s funny and personal account of meeting legendary filmmaker Ricky Leacock.
  • Policy Matters: Greetings from Planet TIFF by Barri Cohen

POV can be found on newsstands across Canada.

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The Prestige Film Awards: Now accepting entries!

This item was filled under [ Contests & Promotions, News ]

Entries are still being accepted for this year’s Prestige Film Awards. In fact, you have until September 30 to submit your best film or video production. This contest is for all levels of film makers — it’s for those looking for professional recognition or to those who simply want bragging rights. Regardless of your reason, this is a fantastic way to get your films seen and noticed!

The Prestige Film Award honours the finest in video and film productions. Entries are received from artists, directors, producers, freelancers, corporate media organizations, writers, editors, students and advertising agencies. And you don’t have to be a member of a particular organization to enter. In fact, any media (film or video) production produced in the previous four years is eligible.

There are, literally, dozens of categories in which you can submit your work – some include:

•  Education
•  Advertising
•  Environmental
•  Anime
•  Cartoon
•  Documentary
•  Science fiction
•  Political
•  Social commentary
•  Public relations
•  Miscellaneous

Entries are  awarded with Gold, Silver or Bronze honours and they don’t compete against each other; rather, they’re evaluated against a high standard of creative merits and are based on combined judges’ scores.

Have a look at Wiggle Your Toes –  a short documentary created by Television Production students at the British Columbia Institute of Technology (BCIT). It garnered Gold honours for director Allison Walisser in the documentary category.

What are you waiting for? Get your entry in today!

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Win 2 Tickets to Waste Land at the Open Roof Festival

This item was filled under [ Contests & Promotions, News ]

The good folks over at DOCspace are giving one lucky winner 2 tickets to see Waste Land this Thursday (July 28) evening at the Open Roof Festival.

Waste Land is an award-winning documentary by director Lucy Walker – An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world’s largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. Vik collaborates with the brilliant catadores, pickers of recyclable materials, true Shakespearean characters who live and work in the garbage quoting Machiavelli and showing us how to recycle ourselves.

To enter, simply email feedback@docspace.ca with the subject header  Contest by noon on Tuesday, July 23.  The lucky winners will be contacted via email.

And, if you don’t happen to win, you can still check out some of the fab events DOCspace has coming up:

  • Open Roof Festival screens Waste Land on Thursday, July 28 at Toronto’s Amsterdam Brewery [more info]
  • Phil Ochs: There But for Fortune screens from July 29 – August 3 at  Vancouver’s Pacific Cinematheque [more info]
  • On Saturday July 30, SAW Video presents My Precious Novella in Ottawa [more info]

 

 

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Photography Book Now 2011: Submission Deadline July 14

This item was filled under [ Contests & Promotions, News ]

Last year, we told you about this great contest called Photography Book Now. This year’s event  is underway once again and  accepting submissions until July 14.

Showcase your photography to a world-renowned panel of judges, and take a shot at a $25,000 Grand Prize.   Now in its 4th year, PBN is open to creative enthusiasts, working photographers, and students and is judged in four categories:  Fine Art, Documentary, Travel, and Student.

 

Check out the latest entries, and last year’s winners — including two Canadians!

Entry deadline:  July 14.   Submit your entry TODAY!

PBN is an international juried competition presented by Blurb.

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PART 3 – Algonquin College & Save the Children: Relief efforts in Haiti

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~~~~~~~~~~

On Feb. 15, two students from Algonquin College’s Documentary Production program (Suma Suresh and Christian Roblin) along with four Civil Engineering Technology students & their teacher (Matt Philip, Shane Barteaux, Marek Szymborski, Brian Watson & John Barteaux) landed in Haiti to participate as volunteers and journalists alike.  Hosted by Save the Children, the engineering students were there to train Haitians in building Housall shelter systems, all the while being captured on film with gear rented from Vistek.

Save The Children will be using the completed documentary for fund raising and plan to air the documentary on regional and local broadcast outlets. There are also plans to enter the Save the Children documentary in student and other film festivals.

~~~~~~~~~~

Feb 16

I awoke this morning to a meeting taking place right in front of my tent.  Kicking myself for sleeping in until 8am, I rushed outside to see what was taking place. It appears that a giant pothole just around the corner from the entrance to the Save the Children compound is posing a security risk. Because the pot hole is on a very steep road and you must come to a dead stop to pass over it, it provides the perfect spot for car jacking to happen. Staff here at Save the Children have noticed gangs hanging around the area scooping out the pot hole, so the Engineering crew from Algonquin offer to fill it in.

Running like chickens with our heads cut off, Suma and I grab our camera, do a split second equipment check and take off out the gate following the engineering crew.


The exhaustion and blur of yesterdays’ arrival hide the huge contrast that hits you when you walk outside the gate of this compound. Instantly you are confronted with crumbled buildings and rubble.  While walking down the hill, Suma and I find a spot that offers a view of the entire city. Only here did the reality and tragedy really hit us.

Being pros at what they do, the engineering team (consisting of John, his son, Shane, and Matt) instantly identify materials at the side of the road that can be used to fix the pot hole. Calls on walkie-talkies are made, and a truck with some quick-dry concrete and shovels is confirmed to be on its way. While we wait, the team directs the local onlookers to start filling the available wheel barrels with stones to start the filling the base of the hole. As they get to work, Suma, Miles and I decide to walk back up the road to get some establishing shots.

While speaking with some of the local children, Miles get a walkie-talkie call from John down at the pot hole saying there is trouble brewing, and that things might come to blows. Peering down the hill we see a mob is forming… first 10, then 20, then 30. We arrive to a shouting match. Apparently, the local administrator of the area is unhappy with the stones he sees in the hole. He wants a permanent fix and is not happy about what he sees as a temporary solution that will wash away at the first rain. He is a rabble rouser and is starting to work up the crowd. Being one of the only people present who speaks French, I speak with him and try and explain that the work has just started and that we are waiting for concrete. Unfortunately, there is no pleasing this man and, as the crowd grows to about 40 angry locals, John calls it and we start walking back up the hill. Half way up we stop and wait for a coming truck to give us a ride. I take this time to really listen to what the locals are saying, and I learn something very important.

Haitians are a very vocal people, they shout often. But when you listen to what they are saying, they are a very reasonable people. Half the group was upset that we started a temporary fix, while the other half were saying that behaving the way they were was not going to make them any friends and that they needed all the help they could get.  After waiting for the truck for another 5 minutes, the angry portion of the crowd starts gravitating up the hill towards us. Just in the nick of time the truck arrives. Before I hop on, one of the townspeople tells me that it is the people at the bottom of the hill that need work and money, that they don’t get to go up the hill to stay in the compound.

He makes a good point.

Lessons learned about security and how important it is here: you can strike sparks anywhere in Port-au-Prince

When we get back into the compound, we are greeted by Peter who has finally made it here. He missed his cargo flight, so he had to fly into Santo Domingo D.R and join a convoy to Haiti at 2 am.

While Peter gets the briefings we all had the night before, Suma and the Houseall team head down to scope out the warehouse where we will be building/filming tomorrow.  I take the afternoon to figure my way around the various technical/firewall/internet issues we will have navigate to get our material out.

Internet here is spotty at best, firewalled at worst. But it’s surely a challenge that can be overcome.

As night falls, the whole team heads to bed early. Instead I stay up going through pictures and dealing with technical issues.

Tomorrow will be one long day.

… to be continued »»

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PART 2 – Algonquin College & Save the Children: Relief efforts in Haiti

This item was filled under [ News ]

~~~~~~~~~~

On Feb. 15, two students from Algonquin College’s Documentary Production program (Suma Suresh and Christian Roblin) along with four Civil Engineering Technology students & their teacher (Matt Philip, Shane Barteaux, Marek Szymborski, Brian Watson & John Barteaux) landed in Haiti to participate as volunteers and journalists alike.  Hosted by Save the Children, the engineering students were there to train Haitians in building Housall shelter systems, all the while being captured on film with gear rented from Vistek.

Save The Children will be using the completed documentary for fund raising and plan to air the documentary on regional and local broadcast outlets. There are also plans to enter the Save the Children documentary in student and other film festivals.

~~~~~~~~~~

Feb 15:  Christian.
From Santa Domingo to Port au Prince

Got to bed at 2:30 am last “night”, up at 5 am this morning. First thing that comes to mind is that mountain of gear needing to be wrestled yet again. Groaning, I fall out of bed and take what I am sure will be my last shower for a while.

Great, out of that mountain of gear, I realize I have forgotten 3 things. Sun screen, shampoo, and a brush. I am a special kind of guy. Crazy glue, but no shampoo or sun screen.

No running hot water in this ritzy Holiday Inn either.

With hair like a mountain man, I wrangle up the gear (with the aid of the rest of the crew, of course), and we all saddle up in the lobby. Two shiney, brand-new looking Nissan micro-buses pull up. These things stand out like a piece of hay in a massive stack of needles when compared to all the other vehicles on the road. Inside van two we find 3 new companions. One is from the D.R and is travelling to Haiti with Save the Children on a medical relief mandate. Amber (the only name I can remember, as I am horrible with names) tells us she has previously lived in Haiti for 5 years, while the third man tells us he was in Haiti for the first two weeks after the quake hit.  I ask them how it was.

The both glance at each other for a moment without saying a word, then turn to me and say in tandem “intense”.

Just what I like to hear :)

As the rest of the occupants fade off to sleep, we take off into the rising sun towards Haiti.

I can’t sleep. While exhausted, hundreds of possible scenarios keep running through my head. Our driver speaks English, but not enough to hold a conversation. As the sun rises on the beautiful country side I start going over the camera gear. As soon as I pull out the HD camera Vistek was so good to donate, our drivers eyes bulge. All he says is “wow”.

Wow indeed. I haven’t had a change to check the gear to this point. This puppy is SLICK.  All the documentary students would fall in love on sight with this thing.  While finding all the manual “nuts and bolts” of this camera, it hits me that the higher level of innovation as actually gone into the automatic settings.

For example, both the sound inputs have automatic gain controls that actually work. If your sound source is far away, the gain comes up to compensate. Likewise, if your source is too loud, it brings it down, keeping the sound a constant even keel. It does this for both inputs INDEPENDENTLY, so the mic on the camera and the shotgun mic Suma moves around with are balanced. As a filmmaker (and being obsessed with sound) I can think of many situations where the use of this feature would be inappropriate. However, going into Haiti with none of the sound mixers I argued for, I can think of many MANY situations where this will be a life saver.

Vistek obviously put some thought into this venture. Good on Vistek – I’m going to treat their camera like I would Jimmy Page’s very own 1958 Les Paul guitar.

The country side is beautiful in the D.R, so I take the time to shoot 30 minutes of travel footage to contrast with what we see in Haiti. Around 12 pm we stop at a little gas station for gas.  SMOKE BREAK. Our driver holds out a cup and says, “coffee?” I say sure but have no idea what is coming to me. The little plastic cup of coffee he gives me almost makes me fall over. It is without question, THE BEST COFFEE I have ever EVER tasted.  I cannot express this enough

(It was like god had kissed me with a mouthful of scotch)

Some local kids came out of the wood work and started washing the vans, big smiles on their face. With a disapproving stare from our driver, I toss them some left over pesos from the night before.  Back in the van for the last stretch to Haiti.

1:00 pm

All of a sudden there is a massive traffic jam ahead of us. Our driver jabs his finger forward and says “Haiti”.

Streams and streams of Haitians zig -zag through the traffic jam. Hour driver hops out and urges us to come with him. Everyone (including myself) decline to exit the vehicle.

Then something happened.

A random Haitian man coming through traffic carrying a bag on his head stopped, and locked eyes with me through the windshield for a brief moment that felt like an hour. At was at this moment that I realized these people are not crazy armed thugs; they aren’t ready to tear me limb from limb at a moments notice.  These people are hungry, devastated. These people have been kicked in the teeth so many times before, and this was the hair the broke the camels back.

With that, I hop out of the van with the camera to see what I could see (and glad to see that some of my companions had come to some version of the same idea)

Only the pictures and video can describe it.

After making it through the border, it was like night and day as far as the country side is concerned. Where the D.R is beautiful and green, Haiti is dry, devoid of green and trees

The best way I can describe it in one word is: Sudbury.

Sitting at the front of the van I realize suddenly I haven’t heard a peep from our engineering colleagues at the back of the van. I turn back and ask them what they think. Matt says simply “intense.”

Smooth sailing (if you want to call driving in Haiti smooth sailing) for an hour to the very edges of Port-Au-Prince. All of a sudden buildings and rubble seem to be occurring more and more as we drive. I turn and ask our driver “Port-au-Prince?” He simply nods his head.

We’re here.

From this point on, it is difficult for me to put into words what I witnessed for two reasons.

Reason 1:  I let the camera roll the entire drive to our compound through PaP (Port-au-Prince from now on). While I got out of the van at the border, I wouldn’t even consider rolling the window down here. The entire drive was all pull zooms, angles, avoiding reflection in windows, trading video camera off to Suma (the other member of our doc. crew. More on her later, bless her heart)  for the still camera, and then back to cover from all possible vantage points. We knew we would only drive into and across PaP once, and we had to maximize the shooting opportunities to the fullest.

Reason 2: What we saw

3 pm – we roll into the Save the Children compound like zombies. As the large gate closes behind us I am dazed from what I just experienced. Then it hits me

MASSIVE MOUNTAIN OF GEAR TO WRESTLE, AGAIN!

We get the gear off, pile it up in front of the lobby, descend to the patio at the back of the compound, and finally sit down. After having 3 hours of sleep in the past 48, we are bagged. So, naturally, this is the perfect time for 3 hours of lecture/orientation from the various staff on everything from security to humanitarian programs to likely stresses.

Of course all of this is very necessary and important, but it is hard to focus and concentrate when I just want to fall off the chair. And, of course, there is still that MOUNTAIN OF GEAR to deal with, tents to set up, etc. The staff here at the Save the Children compound are all very understanding of this, and try and whisk us through the necessary info as fast as they can without being irresponsible.

These people take well-being very, very seriously.

Passports scanned, passes printed, security briefing over, we finally tackle the gear, find spots in “tent city” and get at the work of setting up.

Bathing is simple: buckets of cold water and a mug. However, this is a PURE JOY

(I have forgotten to mention something important up to this point. It is HOT. Really, really, REALLY HOT. Like… HOT. And HUMID. Really, really, REALLY HUMID. LIKE… REALLY HOT and HUMID. I spent a year in Australia, which was very hot. But it was dry hot. This… this is a whole other monster. Breathing causes you to sweat here.)

After taking an hour to set up a tent that usually takes me 10 minutes to deal with, we all zombie walk down to the admin. building for dinner. After hearing Miles’s description of the food, I am not optimistic. But, to my happy surprise, the food is fantastic.

The Save the Children compound is high up in the hills of PaP, and the back patio where we eat looks down on the whole city. As I eat, I can’t help but think of what all the Haitians down the hill are eating.

After dinner everyone packs off to bed like zombies… except me. I can’t sleep yet. I need to feel the earth between my toes, smell the air, stop, be still, and just listen and feel.

Having made my initial communion with the most basic (and to my mind, important) elements of this place, I make my way back into the admin. building to crack out my netbook and look over the pics we’ve shot. There are over 700 of them. Late in the evening I make my way to my tent anxious for the next day to begin.

to be continued »»

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Algonquin College & Save the Children: Relief efforts in Haiti

This item was filled under [ News ]

~~~~~~~~~~

On Feb. 15, two students from Algonquin College‘s Documentary Production program (Suma Suresh and Christian Roblin) along with four Civil Engineering Technology students & their teacher (Matt Philip, Shane Barteaux, Marek Szymborski, Brian Watson & John Barteaux) landed in Haiti to participate as volunteers and journalists alike.  Hosted by Save the Children, the engineering students were there to train Haitians in building Housall shelter systems, all the while being captured on film with gear rented from Vistek.

Save The Children will be using the completed documentary for fund raising and plan to air the documentary on regional and local broadcast outlets. There are also plans to enter the Save the Children documentary in student and other film festivals.

~~~~~~~~~~

Blog Entry 1: February 14, 2010

On a cold Sunday morning we meet at the Ottawa Airport. As soon as I walk in the door and take a look at the massive amount of gear we have, the reality of our situation hits me. This is a going to be a challenge. After one final cigarette, I pop the first of 22 malaria pills and embark on the 16 hour trek To Santa Domingo.

It is interesting to note that our instructor, Peter Biesterfeld, is NOT going to Santa Domingo and then crossing overland into Haiti. He will be flying to Miami, meeting with our handlers, and then flying directly into Port-au Prince on a cargo Plane carrying all Houseall shelters. The thought of Peter sitting in cargo netting with a Camera in hand brings one his favorite saying to mind: “You’ve got to be ON IT!”

Just before we are about to leave Peter,  Miles casually mentions to him that the cargo plane is 11, 000 pounds overloaded. Truly a Kodak moment.

The ins and the outs of that trek are nothing to write home about.

Stop. Take off shoes and belt. Go. Wait. Stop. Take off shoes and belts, fill out form, struggle with mountain of gear. Go. Wait

And wait.

And wait.

Finally, the crew lands in Santa Domingo. After another massive struggle with gear, we’re whisked away in taxi van for a ride I am sure the crew will never forget. Stop signs, yellow lines dividing the road and speed limits seem to be just for show in the Dominican Republic. Almost able to see his heart in his throat, I tell our young engineering colleague Matt that it is best to just sit back, throw some Pink Floyd on his iPod, close his eyes and not think about it.

At 11 p.m, I am surprised when we pull up to a ritzy Holiday Inn (right beside a taco bell and McDonald’s). I was under the assumption we were grabbing an overland convoy to Haiti that night, but Miles Kennedy (our Houseall lead) made the arrangements after the 16 hour flight time finally hit him.

So, again, we wrestle the mountain of gear upstairs into our rooms, sample the minibar briefly, order a hamburger from room service and crash. All the modern conveniences conflict in my mind as I think of the journey to come.

to be continued »»

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MFA Thesis Festival: Documentary Now | June 10 – 23

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docnow1Documentary Now celebrates the enduring documentary impulse through multiple forms including film, photography, new media, installation, performance, and bookworks.

The two-week festival exhibits the thesis work of the artists in the Documentary Media MFA Program at Ryerson University in Toronto, Ontario. With four gallery exhibitions, three days of film screenings, an artist-panel talk and other special events this festival extends Ryerson’s reputation as a cultural production house to the arts community, industry professionals and the Toronto public.

Documentary Now takes place over two weeks in seven Toronto venues, including: Gallery 1313, Lennox Contemporary, Ryerson Gallery, Toronto Image Works Gallery, and the National Film Board of Canada’s John Spotton Theatre.

For full details, including a full schedule, check out the Doc Now website.

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CONTACT: 2009 MFA Documentary Media Discussion

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contact2As part of this years’ CONTACT festival, Ryerson University is presenting MFA Documentary Media Discussion – a select artist presentation and panel discussion  moderated by Esther Choi.

This free event takes place May 21 at 7pm in Jorgenson Hall (350 Victoria St.) and features guest speakers  Tori Foster, Ryan Gauvin, Lara Rosenoff and Marie Wustner.

Bringing together documentarians from a broad spectrum of backgrounds, the Master of Fine Arts in Documentary Media program at Ryerson is home to students producing works that find their roots in fine art, photojournalism, anthropology and experimental media.

Date: Thursday, May 21
Time: 7pm
Location: Ryerson University, Jorgenson Hall
350 Victoria St., room LIB72, Toronto

More info…

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